exploring color, texture and the sacred. Although most of this blog is about cement, other mediums appear as they beckon to manifest, while personal insights and philosophy will be slipped in untainted by flourishes. applicable buzz-words: Organic/ Green, (Recyclable material/ re-purposed materials), Bio-friendly, Educational, Spiritual.
House Blessings
Cement and hypertufa house blessings
Sunday, February 27, 2011
Plant Propagation
Rubus calycinoides , ( an evergreen ground cover from the raspberry family) I found this mutant with it's pinwheel margins of lime, cream and green variegation on a design job a few years back . The 4 inch mutated sprig of variegation was in a over grown planting to be removed. I took a cutting and rooted it. The mother plant is in England being tested for it's potential for world sales, I will call it "Cash Cow" or Retirement". The picture with the berries is the stock plant where I found "Cash Cow's" mutant growth.
Saturday, February 26, 2011
Chinese Coin
O.K this was my first go around with making the cement coins, and although it was not a train wreck, I do like the idea / feeling of wood, copper and cement mingling.
"Hypertufa" Kanji coins
"Hypertufa" Kanji coins
Friday, February 25, 2011
Balance
My brain works best ( relative term) when feed a regular diet of contrast. I am ever suspicious of the pious tongue that glosses over the glaring irony and humor of this temporarily condition of releasing carbon.
Angel pictures from A postcard series I shot at Vasquez Rocks California.
I have found water plays a huge part of my creative process. rain, streams,oceans and lakes clean my pallet of obstructed and often stagnated energy and ideas.
Nature and Photography
Nature is my fuel,
with a language and expression (visible and not) that we are incapable of comprehending with the human limitations.
When I toil to celebrate it's images, (in one form or another), there is always an absents, a contrived whisper of my intention, but it's the "River" I forever return to for guidance, where inclusion is all but insured.
Earth made Textures
I am always on the lookout for the opportunity to integrate nature's shed skin.
These barnacles are art already and I hasten to mess with natures perfection, there is such a fine line between art and macaroni-glitter craft.
with a language and expression (visible and not) that we are incapable of comprehending with the human limitations.
When I toil to celebrate it's images, (in one form or another), there is always an absents, a contrived whisper of my intention, but it's the "River" I forever return to for guidance, where inclusion is all but insured.
Earth made Textures
I am always on the lookout for the opportunity to integrate nature's shed skin.
monkey puzzle pod |
These barnacles are art already and I hasten to mess with natures perfection, there is such a fine line between art and macaroni-glitter craft.
Hypertufa Sedum Containers
Faux Rock outcropping |
Outcroppings and Water Element Inserts |
I was aiming for fluidity and movement |
using course peat moss to get the ancient archeology dig look |
A Costco Lettuce container was used for the mold here |
7 old years with the same planting |
Containers great for Sedums, Conifers and Ground covers. |
Lost
Dorian Gray gone bad |
Creepy in a "Dawn Of The Dead" way, however to me, thats complement.
Using a round table top, plaster of Paris, resin, cheese cloth and work shirts... ( hmm , metaphoric maybe?) This piece has been hidden in an storage area for many moons, as it still holds more charge than I bargained for. I used a dental product for my face casting (don't do this alone, I about passed out holding my breath till the compound solidified)
I don't love the end result, but can't depose of...yet!
The resin hands reaching out, was my feeble nod to the Sistine chapel's "Creation" with God's determined hand and Adam's (man's) flaccid passive.....although my hands indicate escape!
Thursday, February 24, 2011
Wednesday, February 23, 2011
Fish wall Art
For whatever reason, I got hung up on doing "Fish" when I returned to the world of cement; I used a barnacle type of shell for the eye, I wanted to add texture for interest... so I cut strips of "feed sacks" or "gunny sacks" dipping them in a diluted Portland cement mixture and layered them on the hand formed fish in the "tacky" state of drying. A few days pass before I paint with acrylics, then a final coat of cement sealer.
I am always looking for a new way to make the "fish eye", this time I used a light bulb (the male screw end) and like the depth and elements it offered.
I seriously don't know how I came to make a mermaid, I thought I was making an Angel until I started making a fin tail rather than wings.
Freshly made and naked
Seahorse, staying with the ocean theme.
Playing with the native American flavor.
Hypertufa, Art and objects for the Garden
The Ankh is the Egyptian Hieroglyphic sign or symbol of "life". The above picture shows the moss growing in the pits filled with peat moss after about 7 month of aging
This is a four-sided "Ankh", and I like it so much, I am planning (when weather allows) to make a series of large Ankh's for fountain heads and free standing garden art.
This grave marker was made
for a friend's Boxer, as per request, it was made with hypertufa, (although I would have rather done this with just straight Portland cement), it does have a earthy quality and will gather moss more readily. The bone shape was done first by hand, then the next morning I started to inscribe for my rough outline of the script.
for a friend's Boxer, as per request, it was made with hypertufa, (although I would have rather done this with just straight Portland cement), it does have a earthy quality and will gather moss more readily. The bone shape was done first by hand, then the next morning I started to inscribe for my rough outline of the script.
I will typically wait till the 2nd or 3rd day to refine and sculpt, as if done too soon, can take over sized chunks when making the smaller details. When the text is complete, I use the cement pigment to enhance the lettering, using a paint brush and a syringe for the hard to get to areas. I mix my cement pigment "thick" (in a plastic cup) for better definition and fewer applications.
This is my first attempt at doing fountains with Hypertufa. Although this is a jump off point, I can see the potential using this lighter weight material.
"Hypertufa" = Portland cement, sand and peat-moss.
(Or here is a link)
"Tribal" pond water spitter.
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